Young trombonist Meggie Murphy talks about the challenges of becoming a professional musician, the importance of mentorship, ...

With performances all over the city, amid some of Barcelona’s world renowned architecture, Ciutat de Clàssica offers a way to ...

Opening her LSO Artist Portrait series, Patricia Kopatchinskaja plays Béla Bartók’s Second Violin Concerto before Rattle and ...

Father and daughter team of Brett Dean and Lotte Betts-Dean join forces for the opening concert of Kings Place’s ‘Memory ...

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into ...

In Myung-whun Chung’s first concert as the orchestra’s tenth Music Director, Leonidas Kavakos’ account of Tchaikovsky’s ...

For the first time ever, the Philadelphia Orchestra perform music by Julius Eastman (1940-1990), a graduate of the nearby ...

Ensemble 360’s opening concert of their Sheffield spring season reveals the rich variety present in three very different ...

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives ...

Dima Slobodeniouk returns to Pittsburgh for works by Finnish composers, and the Jussen brothers delight with Poulenc.

Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.

Works by Boulanger and Shostakovich pay off handsomely before Rimsky-Korsakov’s Scheherazade, shaped with dynamic control and ...